The cinema is a specific language.
— Christian Metz
What the body might guess,
what the hand requests,
what language assumes
becomes amulet,
which is to say
I am carrying your face
in a locket in a box
to a virtual location
guarded by kestrels,
suggesting the scene’s
geography of love and dirt,
trees ripe with darkness
and bones’ white luster.
In the moonlit blue house,
where snow won’t fall
unless called upon,
grace enters as requested,
lands next to you, grasped,
as if love were a reflex
simple as weather.
Scene, by Maxine Chernoff
