"...to enclose the present moment; to make it stay; to fill it fuller and fuller, with the past, the present and the future, until it shone, whole, bright, deep with understanding."

Virgina Woolf, The Years


24.4.14

Flop


the now
sentenced
to fault

speech
depends on the eyes' voices
your voice
my lips

step and flop

23.4.14

Feather


O the lovely bankteller, like a moose he
Rode my spirit quite outside my clothes
And chrysanthemus sprouted I assure you
Out my nipples when he kissed them.
     -Dorothea Lasky, On Old Ideas


The weightless
svelte
drifting
sexual feather: your body

Your body follows
many a exulting
flows of jazz
It follows them truly

Your body's occasional youth
swallows my hips
(my keen hips)
Your body curves and swallows
my keen hips

It dips into my height
(arched and fragile)
It stings it
Your body dips into my height
and stings it with firm weather

God distinctly has pitied us both
has pitied both our lips
leaving them breathless

God distinctly has pitied my
wise
nifty
half-grown breasts
my laughing body
my lisping flesh

but not my feet
not my bungling
stumbling feet

not my steps
which would rather part
before they tousle your
agile
slid
svelte
drifting
feathery body

Your body
following truly
through a dribbling moan
of jazz


Variation on E. E. Cummings' God pity me whom (God distinctly has).


18.4.14

En busca del tiempo perdido XVIII

Jugamos que tu eras yo era tu
decía tu nombre y soñé
que era a mí a quien llamaba
    -Adriana Enciso, Espejo


Rara, y ocasionalmente, el tiempo también encarna una imagen antigua, propia, que creíamos extinta: una fotografía viva y de colores nítidos de una voz de infancia cantando versos que habíamos olvidado, con el mismo color en la piel y la misma forma en los ojos; el cabello como lo peinaba nuestra madre.

Rara, y ocasionalmente, el tiempo nos muestra que somos, también, fantasmas de otros cuerpos.



15.4.14

Happily never after


There are a few exceptions, a few provisos and a couple of quid pro quos.
   -The Genie (impersonating somebody else in Disney's Aladdin)

Don't get me wrong, dear
If I were to make somebody else's pancakes
every morning and afternoon and every morning
and afternoon and again every morning
I would consider myself a slave
(plus, I'm all for a healthier, diversified diet)

I do love going to creperies
and bakeries, and pizzeries
and taqueries
Though I suspect you're not the
we're-dining-out-tonight kind of guy,
hansdome boy

I also love summertime and moonlight
and winter and sunlight
much too much
to be bothered with grief

I would just like to know
all a jazz artists knows about jazz
Maybe play some Django chords
or sing when you're near
there's such an air of spring about it

Still, there is one art
I have come to master - that of losing
(even losing you, the joking voice,
a gesture I love, I shan't have lied)

Variations on Angela Ball's Jazz and Elizabeth Bishop's One Art

26.3.14

Magic Lantern



È già spezzato il fiatto
e ricomincio a respirare
senza sforzo e senza affanno
-Carmen Consoli, Perturbazione Atlantica

A magic lantern could throw the nerves in patterns
on a screen:
of the evenings, mornings, afternoons,
of the sunsets, the dooryards, and the sprinkled
streets
of the novels and the skirts that trailed along the floor
of perfumes from dresses and restless nights
in one-night cheap hotels
and of half-desserted streets
that follow like a tedious argument
of insidious intent

the nerves of braceleted arms and arms in short-sleeves
of windows and tables and shawls
and cups, marmalade, tea
cakes, tea, ices
porcelain, teacups, toast

the patterns of the nerves within eyes that
fix all in formulated phrases
of the nerves of formulated men and women
pinned and wriggling and sprawling on walls
and this, and so mucho more!

All to make it possible to say just what I mean:
in short, that I was afraid.

For perhaps we're all meant to be both
Prince Hamlet and an attendant lord.
To somehow both drown,
and not.


13.3.14

There are old thoughts in your head, my reader, and let them die


Kissing the bankteller outside his stairs
In Brighton, MA I cannot lie. I felt the hope
That we once felt, if only for an instant
O the lovely bankteller, like a moose he
Rode my spirit quite outside my clothes
And chrysanthemums sprouted I assure you
Out my nipples when he kissed them.
And the pureness of not knowing him at all
Was really what we all feel when we enter this earth.
There is a newness to the best things that cannot
Be excelled and old things like old love die and rot.
There are old ideas in the world that should be forgotten
There are old ideas and old phrases that should at least
Be recycled for others
There are old plans now that should be new.
There are old thoughts in your head, my reader, and let them die.
Follow me, I am the crusader of the new
My spirit is a plastic rod that channels all our births.
And in the mouths of the little beasts, we shall find the great
Ocean that spits up black bugs all glittering on its shores.
You know there is an anthem to the ages.
There is an anthem of the ages.
This is that anthem
This is that anthem

Dorothea Lasky, "On Old Ideas"

9.3.14

Mock Moon


I like the sun
when the sun
is seen through clouds
and disguises itself
as the moon